Manley VOXBOX

M anley's all-tube VOXBOX channel strip may well be your "last stop" voice processor, but it's also set to make the most out of virtually any source you throw its way. The VOXBOX shares its fully featured microphone preamplifier design with Manley's acclaimed Mono Microphone Preamplifier, offering a whole lot of headroom and Class A vacuum tube tone. What's more, the smooth compressor section is a perfect blend of Manley's best-selling Variable MU and the opto-design of their ELOP. All of these features, in addition to a flexible Pultec-style mid frequency Equalizer, de-esser/limiter section, and Stereo Link function, make the VOXBOX a true sonic studio workhorse.

LINDEL 7X 500-PREAMPLIFIERS

T he Lindell 7X-500 compressor packages the sound of one of the most popular compressors of all time into a convenient and remarkably affordable API 500 Series rack module. This late '60s-style FET compressor/limiter may be small, but it still manages to pack all of the useful functionality you could ask for inside. There's a a highpass side chain filter in the 7X-500, which lets you focus its response, and a mix knob lets you blend its wet and dry signals to taste. Overall, the Lindell 7X-500 is an amazing compressor for the money.

T he Seven X Five Hundred is a one channel compressor/limiter. It’s a FET (field effect transistor) style compressor that incorporate some new and exclusive features such as ”High Pass Sidechain Filter”, ”Mix Knob” mix between dry and wet signal (parallel compression). The 7X-500 is our take on the classic ”1176 Sound”. It can be smooth or it can be a rock’n'roll monster when using ratio 100:1 (all in).it has a Variable Mix Control For Precise Parallel Compression.it consist of 3 Step Switched Attack Times,3 Step Switched Release Times, 3 Step Switched High Pass Sidechain Filter of 100Hz, 300Hz and 3 Step Swithched Ratio( 4:1, 12:1, 100:1)

LINDEL 6X-500 INPUT

The 6X-500VIN "Vintage Edition" juices your 500 Series rack with a single-channel transformer-coupled mic preamp along with a passive 2-band Pultec-style equalizer. This all-discrete design, based upon the highly respected VIntage 1731 amplifier, gives you an EQ section with the magical sound of a classic Pultec. With a 15db boost of the silkiest high end you'll ever hear and stunningly punchy low end, you'll wonder how Lindell managed to stuff a Pultec into this little module. Arm your studio with the fast, in-your-face sound of the delightfully affordable 6X-500VIN. The Lindell 6X-500 is a fantastic tool for cleaning up and adding a little extra punch to your tracks. The original 6X-500 hardware is a mono transformer-coupled preamplifier and passive 2 band, boost only EQ. The preamp’s all discrete design is based upon Lindell’s hybrid amplifier providing smooth, creamy gain and color.

The lindel 6x-500IN has aTransformer coupled balanced inputs and balanced outputs ,Up to 65db of gain,Passive Pultec Equalizer; inductor plus Vintage OPA gain make-up amplifier.it consist of 3-step switched EQ low frequency boost: 30Hz, 60Hz, 100Hz (+/- 10%) ,3-step switched EQ high frequency boost: 6kHz, 10kHz, 16kHz (+/- 10%) .it has a Selectable high boost bandwidth on PCB ,with polarity reverse

M AUDIO OCTANE 8

T he 8-channel Octane preamp is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands' and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding lets you employ stereo miking techniques previously available only in pro studios. Octane even has analog preamp (direct) outs for each channel, making it the perfect upgrade for any digital audio interface or mixer. Word clock also means that you can sync multiple Octanes for as many channels as you need as your studio grows.

The 8-channel Octane preamp has a 3-segment LEDs , 20dB pad with phantom power with indicator (groups 1-4, 5-8). The 2 channels are mic/instr preamps (front-panel 1/4" TS) The features of this preamp are ADAT Lightpipe output (TOSlink), 24-bit audio resolution throughout, selectable sample rate (44.1k and 48k) and external sync, line inputs are half-normalled as insert ins or standalone A/D .

RB-HD6

T he RB-HD6 headphone distribution amplifier is a 1U rack-mount which distributes stereo audio to up to 6 different sets of headphones, or can be used as 6 independent headphone amplifiers, each with their own input and volume control. A typical application might be to provide common headphone feeds for guests in a radio studio, with a separately derived feed, perhaps including talk-back, for the presenter.

he main stereo input is on XLR-3 connectors on the rear panel which are electronically balanced and can be wired unbalanced. A stereo/mono input select switch on the rear panel sums left and right outputs to provide a mono feed to the headphones. The unit can receive an override audio signal via a jack socket for each output channel. Plugging in the jack plug will divert the headphone output from the master audio signal to the audio present on the jack plug. The override audio inputs can also be individually configured as parallel outputs of the front sockets, by setting internal jumpers. The master volume control adjusts overall level of the 6 outputs and does not affect the level of channels using the override inputs. The master volume can be disabled by internal jumpers.