The unique Fireface UFX II

T he unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.

W ith capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications....

RME HDSP AES 32-INTERFACE

T he Hammerfall DSP AES-32 is a short-length PCI card with AES/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I/O ports, word clock I/O, and can be used with the optional TCO module for synchronization to LTC and video. The AES-32 is RME's reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage/PA - and in any professional studio. The cards main board contains word clock I/O and a 25-pin D-sub connector, providing four AES inputs and four AES outputs via standard digital breakout cable (Tascam pinout). The word clock input is galvanically isolated via transformer and operates on Single, Double and Quad Speed signals automatically. The expansion board adds audio channels 9-16 and a connector for a MIDI breakout cable with two MIDI I/Os (four 5-pin DIN connectors). It does not require a PCI slot.

This support for 192 kHz at full channel count. its Native support for Double and Quad Wire transfer and is Direct conversion between these formats.it consist of a Steady Clock for highest jitter suppression and clock regeneration.it has an Intuitive and clearly laid-out user interface. It uses a 512 channel mixer with 42 bit internal resolution. The hardware based mixer is fully MIDI controllable.

M AUDIO MTRACK 8

A dd a professional edge to your studio with the M-Track Eight from M-Audio. This eight-input USB 2.0 audio interface enables you to track large music ensembles, record the band, or mic an entire drum set with pro-grade audio components and a myriad of connections. Eight combo XLR+1/4" inputs accommodate nearly any source, from phantom-powered microphones to your favorite guitar, and eight dedicated outputs offer versatile playback options. The XLR inputs are designed to work with microphones and other Lo-Z sources, and the phantom power switch enables you to use condenser microphones by delivering 48v phantom power to the XLR inputs (Channels 1-4; 5-8). M-Track Eight also has two conveniently located inputs on the front panel that can be switched to allow instrument-level signals, so you can plug your electric guitar or bass directly into M-Track Eight and start recording. Individual gain knobs with meters help ensure the proper input level by providing real-time visual feedback.